History in Structure

Former Scottish Widows' Office

A Grade II Listed Building in City of London, London

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Coordinates

Latitude: 51.5132 / 51°30'47"N

Longitude: -0.0868 / 0°5'12"W

OS Eastings: 532855

OS Northings: 181100

OS Grid: TQ328811

Mapcode National: GBR SC.NQ

Mapcode Global: VHGR0.F7Y9

Plus Code: 9C3XGW77+77

Entry Name: Former Scottish Widows' Office

Listing Date: 3 May 1994

Grade: II

Source: Historic England

Source ID: 1252299

English Heritage Legacy ID: 435274

ID on this website: 101252299

Location: City of London, London, EC3V

County: London

District: City and County of the City of London

Electoral Ward/Division: Langbourn

Parish: Non Civil Parish

Built-Up Area: City of London

Traditional County: Middlesex

Lieutenancy Area (Ceremonial County): City of London

Church of England Parish: St Michael Cornhill

Church of England Diocese: London

Tagged with: Architectural structure

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Description


The following building shall be added:-

CORNHILL
TQ 3281 SE
(south side)
627-/10/10047 Nos. 28-30 (former
Scottish Widows' Offices)

II

Offices. 1934-5 by William Curtis Green for the Scottish Widows' Fund and Life Assurance
Society. Steel frame with Portland stone facings to Cornhill and glazed brick to rear elevation
in Change Alley. Trapezoid plan, incorporating a passage to Change Alley at right. Building
steps down from nine storeys on frontage to five at rear.
Symmetrical five-bay facade under three-bay pediment incorporating two attic storeys and much
sculptural enrichment. Principal five upper floors under balustraded parapet with regularly spaced
fenestration of small-paned timber sashes in alternate pattern of single and tripartite openings that
is reversed on fifth floor. Segmental pediment and architraved surround to central first-floor
window. Ground floor rusticated, with round-arched and keystoned entrance to passage at right
matched at left by entrance to speculative offices on upper floors. The offices of the Scottish
Widows' on ground, first floor and basement reached through imposing central entrance with
double doors of bronze panelling under top-light with jazz-deco style iron grille, in architraved
doorcase surround with bracketed cornice. Square windows to either side have rectangular metal
panes under giant keystones, and incorporating grilled basement lights between volutes and
moulded sill under. Simple plinth at base. Original lettering over door: 'SCOTTISH WIDOWS
FUND', and under first floor 'SCOTTISH WIDOWS' FUND AND LIFE ASSURANCE
SOCIETY'. Return through passage to Change Alley of eight bays, the upper floors with
tripartite sash windows containing glazing bars and the ground floor with metal windows (with
similar panes) and incorporating sloping toplights to basement. Rear elevation with attic set back
behind jazz-deco ironwork, over three storeys with three-bays of sashed windows containing
glazing bars and ground floor of metal windows with similar panes in tripartite pattern
incorporating sloping top-lights to basement. Rounded cornice over this incorporates plaque
and banner, bearing the lettering 'THE SCOTTISH WIDOWS FUND'. Round-arched door
with metal door with margin lights.
Interiors. Lift lobby to ground and first floors with plaster decoration in Regency style. Ground
floor dominated by the General Office Hall, of double height and rectangular in plan: four bays:
pillars to east, coffered ceiling and decorative frieze survive largely unaltered despite insertion
of gallery. Offices at south-east corner include, in sequence: a waiting room with shallow,
apsidal ends and plaster decoration; inner room panelled in brown oak with inlay panels in
contrasting woods; an interview room. First floor has Board and Meeting Room extending into
shallow bay with flush panelling in English brown oak inlayed with contrasting woods and
Portland stone fire surround. Motifs such as a lion and winged horse recurrent heraldic motifs.
Entrance to speculative offices lined with Hoptonwood stone, which continues up stairs and in
the upper foyers.
The facade is simple but well-detailed, with good sculpture at its top and metalwork at its base.
The interior is remarkable not just for its completeness and opulence, but for the lightness and
modernity of the motifs used a contrast to the continuing classical tradition of the City, as
exemplified most obviously in the work of Sir Edwin Lutyens.
Source: Architects' Journal, 25 July 1935.

Listing NGR: TQ3285481095

External Links

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