Latitude: 55.9505 / 55°57'1"N
Longitude: -3.1856 / 3°11'8"W
OS Eastings: 326058
OS Northings: 673687
OS Grid: NT260736
Mapcode National: GBR 8QG.6D
Mapcode Global: WH6SM.1P9M
Plus Code: 9C7RXR27+6Q
Entry Name: K6 Telephone Kiosks, Chalmer's Close, High Street, Edinburgh
Listing Name: High Street, Chalmer's Close, K6 Telephone Kiosks
Listing Date: 5 March 1991
Category: B
Source: Historic Scotland
Source ID: 371062
Historic Scotland Designation Reference: LB30255
Building Class: Cultural
Also known as: Edinburgh, High Street, Chalmer's Close, K6 Telephone Kiosks
ID on this website: 200371062
Location: Edinburgh
County: Edinburgh
Town: Edinburgh
Electoral Ward: City Centre
Traditional County: Midlothian
Tagged with: Telephone booth
The K6 is also known as the Jubilee Kiosk, commemorating the Silver Jubilee of King George V. It was at this time the GPO set up a committee to redesign the telephone kiosk for mass production, with a Jubilee Concession Scheme providing one kiosk for each village with a Post Office. Scott was asked to design the new kiosk in March 1935, and after approval by the Royal Fine Art Commission, the K6 went into production in 1936. The new K6 was constructed from cast-iron and painted Post Office red (in 1924 the same commission had decided on the colour red for the kiosk, as it was "easy to spot and gave an authoritative and official character."). The kiosks stand 8 feet 3 inches tall and weigh 13 hundredweight. The new box was based on Scott's 1924 K2 kiosk which had been classical in character with small pane glazing, a reeded Grecian surround and a Soanian dome (believed to have been inspired by that on Sir John Soane's tomb or the lantern above the mausoleum at the Dulwich Picture Gallery). Aware of new architectural trends, Scott applied a modernistic style to his older box. The Grecian fluting was removed but the Soanian dome remained, as did the curved corners (which added strength to the cast-iron panels, now designed to be bolted together and erected in a day). The most noticeable change was the glazing; the horizontal bars were moved side ways to create a broad central light with narrow margin lights. This was to improve visibility and resemble 'moderne' architecture. The design of the box was so popular, it remained in production until 1968 when it was superseded by the K8 by Bruce Martin (the K7, by Neville Conder, was never widely used). Listed as a good pair of K6 telephone kiosks in an urban location, contributing to the streetscape.
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