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Freemason's Hall, 96, 98 George Street, Edinburgh

A Category A Listed Building in Edinburgh, Edinburgh

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Coordinates

Latitude: 55.9523 / 55°57'8"N

Longitude: -3.2025 / 3°12'8"W

OS Eastings: 325010

OS Northings: 673903

OS Grid: NT250739

Mapcode National: GBR 8LF.TR

Mapcode Global: WH6SL.SN68

Plus Code: 9C7RXQ2X+W2

Entry Name: Freemason's Hall, 96, 98 George Street, Edinburgh

Listing Name: 96 George Street, Freemasons' Hall

Listing Date: 12 December 1974

Category: A

Source: Historic Scotland

Source ID: 370766

Historic Scotland Designation Reference: LB30024

Building Class: Cultural

Also known as: Edinburgh Freemasons Hall
Edinburgh, 96, 98 George Street, Freemason's Hall

ID on this website: 200370766

Location: Edinburgh

County: Edinburgh

Town: Edinburgh

Electoral Ward: City Centre

Traditional County: Midlothian

Tagged with: Hall

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Description

A Hunter Crawford, 1910-12. Imposing 3-storey and attic, 6-bay classical freemason?s hall. Silvery-grey polished sandstone ashlar.

2 centre bays slightly advanced. Rusticated at ground with small voussoired windows, and base course; at centre Roman Doric doorpiece with coupled columns, triglyph frieze and entablature; latticed bronze doors lead to internal porch with 3-bay arcaded glazed doors. Giant order of channelled Doric pilasters to upper floors; windows architraved. At 1st floor, windows corniced, with balustrading between piers; figure of St Andrew by Harry Snell Gamley at centre. Panelled vents between 1st and 2nd floors. Entablature with modillioned cornice; balustraded parapet and urns. Mansard roof with 6 pedimented timber dormers behind parapet.

Hall to lane with shaped ashlar gable. Glazed bricks to rear elevations of upper floors.

Timber sash and case windows; 15-pane at 1st floor, 12-pane at ground and 2nd. Ashlar coped skews; corniced ashlar stacks; grey slates.

INTERIOR: sumptuous and well preserved. Vestibule lined in grey Echaillon marble, with black marble columns; staircase with superimposed orders. Hall; 5-bay temple with low aisles; original pendent wreath light fittings; woodwork by Scott Morton, including oak case for Brindley & Foster?s organ, 1913.

Statement of Interest

Crawford?s most important work; soon after he became the house architect of the family firm of bakers. It replaced an earlier hall by David Bryce, and includes sculpture by John Thomas.

External Links

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