Description

BRISTOL

ST5873SE CORN STREET, Centre
901-1/11/575 (South side)
08/01/59 Church of All Saints
(Formerly Listed as:
CORN STREET
(South side)
Church of All Saints with the Glebe
House)

GV II*

Church, now study centre. Early C12 west end of nave, C15 east
nave and aisles, 1716 north-east tower by William Paul,
completed by George Townesend, lantern rebuilt by Luke Henwood
in 1807, chancel rebuilt mid C19. Pennant rubble and Bath
stone ashlar.
C12 west nave; C15 work forms an unclerestoreyed hall church,
with W aisled nave; chancel and NE tower. The two W nave bays
are Norman, the remaining are Perpendicular Gothic; early
Georgian tower. 5-light E window is hidden by adjoining
buildings. The base of the 4-stage tower has pilasters with
moulded caps flanking a round-arched window, surrounded by
rustication, within a larger arch with coved reveals and a
key; a 3-light segmental-arched window to the second stage
within an open segmental pediment on pilasters, and a 3-light
Perpendicular-style third-stage window, with a hood and head
stops; the tall belfry has a raised louvred oculus set in a
sunken panel; at the top a balustrade with corner urns
surrounds a raised octagonal cupola with paired Corinthian
shafts to an entablature, which breaks back over tall open
arches, with urns above; dome with ball and urn finial and a
gilded ball and cross.
The S chancel has three 3-light windows with square stops, set
within the traces of a larger window, with door with a timber
label in between. Mid C15 three-bay N elevation, a weathered
plinth with buttresses rising through an open quatrefoil
parapet to crocketed pinnacles, large 4-light windows with
cinquefoil heads, and a corbel table above a blind trefoil
band; S elevation c1420 has 3-light windows with transoms,
head stops to hoodmoulds and offset buttresses.
The C15 W end has a pointed doorway with splayed reveals and
Tudor roses in hollow mouldings, and a label mould with angel
stops and traceried spandrels; buttresses either side, and a
band of sunken quatrefoil panels in between above the door;
above is a rebuilt Perpendicular 6-light window.
INTERIOR: mid-C19 reredos of 3 cusped arches with deep bays
behind, ogee crocketed hoods and angels with scrolls to the
spandrels, divided by pinnacle buttresses; late C19 piscina
and 3 sedilia in a similar style; the hood to the E window
runs into gable-hooded panels to each side; to the N is a
painted doorway with head stops and a ribbed door to the organ
loft, and a panelled timber oriel with Tudor flowers.
The mid C19 chancel arch has 3 attached shafts; 5-bay nave
arcade, the three E bays have piers with attached shafts,
foliate capitals and pointed arches, the two W bays have stout
Norman piers with wide scalloped capitals and square-section
semicircular arches to a W respond; braced collar beam roof.
The N aisle has a moulded arch dying in to the jambs at the E
end, enclosing the organ, and a drip mould below with dragon
stops and Tudor flowers; the N windows continue down into an
arcade of blind panels with cinquefoil heads; at the Norman
end of the nave, the aisles were built over in the early C15,
forming what is now the coffee shop to the N and Glebe House
(qv) to the S; at the W end of the narrower S aisle is a
trefoil-headed window to Glebe House.
FITTINGS: choir stalls with open front desks and poppy heads
and traceried bench ends; late C17 communion table; arms of
Charles ll; stone steps up to an octagonal pulpit with
Perpendicular panels and angel brackets.
Memorials: various late C18 and C19 memorials including a wall
tablet to William Clutterbuck d.1708, a panel with drapes,
apron, sides and a scrolled top; a painted marble cartouche to
Hester Becher d.1714, a heart-shaped panel with leaves and
winged cherub's heads below and to the top; wall tablet to
Francis Wall d.1761, a pedimented panel below a cartouche and
obelisk; and a large dresser tomb to Edward Colston d.1721
designed by James Gibbs, a grey marble plinth carrying a
finely-carved recumbent figure of a man on his elbow by
Rysbrack, in front of a Tuscan aedicule with side pilasters, a
bay-leaf frieze a pediment with children at the ends and a
cartouche; wall tablet to Mrs Tooth Blisset d.1805, by
Flaxman, a half-reclining figure under a segmental arch with
pointed hoodmould.
The Norman work is most important surviving in a Bristol
church (Gomme). The tower replaced a medieval one.
(Gomme A, Jenner M and Little B: Bristol, An Architectural
History: Bristol: 1979-: 13, 159, 121, 163; The Buildings of
England: Pevsner N: North Somerset and Bristol: London: 1958-:
386; The Church of All Saints, Bristol: Bristol; Smith M Q:
The Medieval Churches of Bristol: Bristol: 5, 21).

Listing NGR: ST5888073030

External Links

• Historic England Listing
• All Saints' Church, Bristol at Wikipedia
• Wikidata Q4729311

External links are from the relevant listing authority and, where applicable, Wikidata. Wikidata IDs may be related buildings as well as this specific building. If you want to add or update a link, you will need to do so by editing the Wikidata entry.

Recommended Books

• 
  Harrow on the Hill: A photographic portrayal of listed buildings and structures (Historic Buildings Picture Guides)
• 
  Cork: City and County (Pevsner Architectural Guides: Buildings of Ireland)
• 
  Liverpool: Pevsner City Guide (Pevsner Architectural Guides: City Guides)
• 
  Yorkshire: York and the East Riding (Pevsner Architectural Guides: Buildings of England)
• 
  Department for Communities Listed Historic Buildings of Northern Ireland: Information Guide for the 2nd Survey of Historic Buildings
• 
  Georgian Style and Design for Contemporary Living